This sketch shows how that works....
"MAKE A CONFIDENT MISTAKE NOT A TIMID ATTEMPT"
Thursday, 21 July 2016
Showing Light
When you want to emphasise a Light area, you have to put a contrasting Dark area next to it. Obviously this works in reverse too.
Saturday, 16 July 2016
Let the paint do the work
This example sketch of a tree trunk shows how simple this technique is.
1. The ink outline forms the shape
2. I wetted the trunk with clear water
3. Then dropped in random (and I truly mean random) colours on the right hand side of the drawing
Yellow Ochre - Burnt Sienna - *Sap Green - Burnt Umber
*the Sap Green was the only one that I purposely put to the left...don't overdo even though it is tempting!
THEN when the colours are in, I 'carefully persuaded' the paint to drift to the left, but not too much. It's good to leave some gaps of paper showing.
Leave it to completely dry. The magic happened all by itself...in fact the painting PAINTED ITSELF.
Go on, give it a try.
Saturday, 2 July 2016
TONAL VALUES
Having trouble finding the Lights in a scene?
Example this photo for instance:
THEN LITERALLY SQUINT
AND THE LIGHT AREA WILL JUMP OUT AT YOU.
Happens to be 3 areas in the above photo:
1. the sky
2. the reflected light under the bridge
3. the strip of grass that runs across the scene
plus by Squinting
the DARKS will be very obvious too.
SO REMEMBER TO SQUINT AT A SCENE
IT WILL HELP YOU SO MUCH WITH TONAL VALUES
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